Wednesday, June 6, 2012

Yuri Characters Who Are Out To Family Members in Manga

As you might know, I love good coming out stories. I thought a list with this theme would be fun to compile.

"A White White Dress" by Sengoku Hiroko in Hirari volume 6:
A sweet one-shot about a young woman who comes out to her mom about the fact that she likes women and is currently dating one. Thankfully, mom's cool with it and wants to meet the girlfriend to see if she's good enough for her daughter. :-)

Aoi Hana by Shimura Takako (6 volumes, ongoing):
In a display of stellar timing, Yasuko comes out to her mom and sisters about her relationship with Fumi when Fumi visits them- without forewarning Fumi about it. Amusingly, Yasuko's family not only doesn't care, they call Yasuko out for dating Fumi while having feelings for someone else. Yasuko's older sister Shinako's bisexuality doesn't seem to be a secret to her family either. Last but not least, Fumi's friend Haruka's gay older sister Orie comes out to her family about her relationship with Hinako.

Clover by Otsu Hiyori:
Clover is a short story collection about four sisters, two of whom (Fuuka and Midori) are interested in women. At one point the second oldest, Fuuka, vents to her older sister Ichige about losing the girl she likes to another girl. Ichige's reaction is perfect: "You got your heart broken, and you never even told her how you felt. If you tell me something that pathetic again, I won't let you in the house!" Coming out isn't an issue at all in this family.

Concerto by Hattori Mitsuru, chapter 5:
Chizu's mom catches Chizu kissing her girlfriend Yayoi at home. Chizu and Yayoi panic and run away, but they run out of money after a day. When they return, Chizu's mom tells them that she'll keep their relationship a secret and she understands what they're feeling since she dated some girls when she was younger.

Ebisu-san to Hotei-san by Kizuki Akira and Satou Nanki:
Ebisu and Hotei are two office workers who hate then like then eventually love each other. Ebisu has an older sister who instantly picks up on Ebisu and Hotei's feelings for each other and is cool with it. Later, Ebisu's niece not only figures out that Ebisu and Hotei are a couple, she likes a girl herself.

"Female x Female = Love" in Yuri Hime volume 13 + "The Mystery of the Yuri Cage" in Sayuri-hime volume 1 by Chi-Ran:
The lead in "Female x Female = Love" tells her girlfriend, who is self-conscious about their relationship, that she is used to the idea of girls dating other girls because her older sisters have girlfriends.

The protagonist of "The Mystery of the Yuri Cage" finds out about her older cousin (the protagonist of another Chi-Ran story, "The Yuri Cage") having a girlfriend before she starts falling for the girl who likes her.

Free Soul by Yamaji Ebine:
Keito comes out to her parents. Her dad isn't hostile about it, but he doesn't get it either- and his and Keito's relationship is strained by other issues. Keito's mom is more...vocal about her lack of understanding about Keito's sexual orientation, but her understanding of Keito improves over the course of the story. Keito, in turn, starts to understand her mom more. What we last see of Keito's relationship with her mom promises further positive change.

Fu~fu by Minamoto Hisanari (one volume, ongoing):
Kina is out to her gay older sister Kana about her relationship with Suu. In the Fu~fu doujinshi Minamoto Hisanari made, after agreeing to be Suu's girlfriend, Kina tells Suu that dating girls has always seemed normal to her because of Kana.
Annnd here's a cute pic of Suu and Kina I found at Minamoto Hisanari's blog:

Gokujou Drops by Mikuni Hajime (three volumes, completed):
Yukio's parents object to her relationship with Komari since they're rich and Komari isn't (and there's that niggling issue of same-sex marriage not being legal, which this story doesn't emphasize) and they want Yukio to marry someone who can contribute to the family fortune. Thankfully, Yukio and Komari are able to be together, with the support of Yukio's aunt and brother.

"Guilty Love" in Sweet Guilty Love Bites by Amano Shuninta:
Niina finds out that Mayu, the woman she had a drunken one night stand with, is her daughter Ryuna's kindergarten teacher. lol Mayu continues to pursue Niina and they fall in love, making Niina, Ryuna and Mayu a family of three by the end. :-)

Gunjo by Nakamura Ching (three volumes, completed):
In the final chapter of volume 1 of Gunjo, the ex-wife (because she is nameless, I will call her B) of one of the leads comes out to her mom as a lesbian- and her mom not only doesn't care, she cements her place as the most awesome mom on this list. Dad finds out from mom, and he is just as cool with it. B's fate is ultimately horrible and sad, but this chapter will forever remain one of the most heart-warming, achingly poignant things I have read.

Hanjuku Joshi (two volumes, completed) + "Soft-Boiled Fujoshi" in Ruriiro no Yume, both by Morishima Akiko:
Chitose and Yae are in love. Chitose comes out to her older sister Chie, a fujoshi who loves BL and yuri, when she asks if she can read Chie's yuri manga. In the one-shot "Soft-Boiled Fujoshi," Chie finds a girlfriend (who turns out to be a fan of Chie's work as a doujinshi creator) at Chitose's school.

"Living-Room Flower" by Takahashi Mako in Yuri Hime volume 25 (the July 2011 issue):
Jitsuko comes out to her mom Hanae and aunt Tsubomi. Hanae is accepting, but Tsubomi sputters in protest- because she has been repressing her feelings for her sister-in-law Hanae. Tsubomi confesses to Hanae after Jitsuko comes out, but Hanae seems oblivious. Because Tsubomi's confession is so freaking obvious- and feigned obliviousness is A) the easiest way to reject someone you don't want to hurt and B) less sad than the idea of Hanae willfully denying the nature of Tsubomi's feelings- I want to think Hanae feigned not getting it. It stretches credibility too much to think that she really didn't understand. Jitsuko, who doesn't witness Tsubomi's confession, stays pretty chill despite Tsubomi's behavior.

Love Flag Girls!! by Takahashi Itsumi:
In this silly historical fantasy, Princess Lucia boards the dreaded pirate Maria's ship to get the cross pendant that Maria stole from Queen Beatrice. Instead of Maria, Lucia finds the ship captained by Maria's daughter Eliana. Lucia and Eliana fall in love, and it turns out that Beatrice and Maria dated and Beatrice is just pissed that Maria dumped her. Maria returns and makes up with Beatrice, so Happily-Ever-After for everyone. ^_^

Love My Life by Yamaji Ebine:
Yamaji Ebine had a stroke of genius when she came up with Love My Life's premise. Ichiko comes out to her dad, who then tells her that he is gay, as was Ichiko's mother. Ichiko is obviously accepting, but her head reels a bit from learning that her parents' lives differed from what she had thought.

"Lover" in Himitsu by Ohtomo Megane:
After having a lovers' spat with Monayo, Mayu returns to her family's house and tells them what happened. Mayu's homophobic mom subsequently sets Mayu up on an omiai. Mayu tells the guy she meets at the omiai that she loves someone else and goes home with Monayo after her brother tells her that Monayo came for her.

"My Sister's Wedding" in Works by Tadeno Eriko:
Emi attends her younger sister Yuka's wedding, and she and her long-term girlfriend Takako get engaged during the reception. After the reception, Emi comes out to her mom. Emi's mom cries, but starts to improve when Yuka (who already knew) tells her that she doesn't have a problem with it.

Octave by Akiyama Haru (6 volumes, completed):
Yukino comes out to her mom about her relationship with Setsuko via email. From Yukino's follow-up email, we can tell that her mom is accepting. After Yukino comes out to her, Yukino's mom asks Yukino to visit home again with Setsuko. :-)

Poor Poor Lips (three volumes, ongoing):
Ren has been out since high school, but her mom, Nei, still wants her to get married. Homophobia aside, the fact that the "ideal" spouse for Ren would boost the enormous family fortune gives Nei a strong incentive to marry Ren off. When Ren confronts Nei about her trying to bribe the girl Ren loves, Nako, to stay away from Ren, Nei cuts Ren off. Ren only agrees to return home and do what Nei wants on the condition that Nei will erase Nako's never-ending debt. Ren's father, Akio, can't change Ren's situation, but he does support Ren and helps Nako get a job as a maid at Nei's house so Nako can reunite with Ren. What will happen!? Dun dun dun.

Pure Marionation by Takagi Nobuyuki (three volumes, completed):
Anon is in love with Miamo, but coming out about that isn't an issue. Her main worry is coming out as an android. :-) Like everyone else in this series, Anon's mother/creator and little sister Minon (another android created by Anon's mother) root for Anon and Miamo to be happy together. Minon opposes Anon's feelings for Miamo at one point, but only because of her short-lived crush on Miamo.

"A Yuri Double Suicide" in Renai Higan Nekomedou Kokoro Tan by Shinonome Mizuo:
Shiho's mom finds out about Shiho's relationship with her classmate Hiyori, and she is furious. Shiho and Hiyori's classmates find out also, and react with bullying. Shiho and Hiyori decide to commit suicide, but when they search for a place to die together, each is separately spirited to a place called the Cat's Eye Hall. The Cat's Eye Hall is where people go "when their hearts are lost," and its owner helps Shiho and Hiyori realize that they want to live when they reunite.

Rica'tte Kanji!? by Takashima Rica (omnibus volume coming out soon):
The "More Rica'tte Kanji!?" chapter in Yuri Monogatari 4 shows its protagonist Rica coming out to her parents and little brother during her high school years. Rica's dad is a lot more accepting than he first appears to be, Rica's mom has no problem with Rica's sexual orientation because she's bisexual (she even goes starry-eyed remembering her first time with a female sempai in high school) and, best of all, Rica's gay little brother feels like he can come out sooner because of her. Awww. ^_^

Sasameki Koto by Ikeda Takashi (9 volumes, completed):
Our protagonist Sumi comes out to her dad in volume 9, but I won't spoil how that goes. Sumi's love interest Ushio is out to her older brother and grandmother from the beginning of the story. (Her parents died years earlier.) Her brother is understanding, at least. ^_^; Good thing she's able to live with him. Her grandma does comes around by the end, though. Additionally, our side couple Tomoe and Miyako are out to their families throughout the story.

"Spicy Sweets" in Butterfly 69 by Natsuneko:
Coming out to one's parents is nerve-wracking enough. But coming out to your mom when she's the leader of a yakuza syndicate? That's what Yuu does, and her mom isn't pleased. Despite everything, this story ends happily.

"That's Why I Sigh" in Yuukan Club volume 14 + Maya no Souretsu by Ichijou Yukari:
Reina, the protagonist of Ichijou Yukari's Maya no Souretsu, comes out to her mom about her relationship with another girl, with...less than happy results. Btw, I like Maya no Souretsu. It's tragic, but in a stylishly over-the-top Gothic/film noir way, and I could see the story playing out just as tragically (given the skeletons in Reina's family's closet, Maya's revenge plot and...uh, certain hidden family ties) if Maya had been a guy.

Decades later, Ichijou Yukari re-visited coming out in the humorous, upbeat "That's Why I Sigh," which features a teenaged lesbian who is in love with her best friend. Mako serves drinks at the okama bar where her "dad" works as the Mama. ("Mama" = the term given as a nickname to the head okama at okama bars.) Mama is weirdly gung-ho about the idea of Mako getting a boyfriend, but is on the same level of pushiness as that ineffective great auntie type who lightheartedly ribs you about when you'll finally get a boyfriend even though you express no interest in it rather than, say, someone like Ren's mom in Poor Poor Lips. Even with Mama's not-exactly-ideal response to Mako's lack of interest in men, "That's Why I Sigh" is a sweet coming out story.

"The Female Body" by Konno Kita in Yuri Hime volume 22 (the January 2011 issue):
Sumi has been in love with Kaori, her philandering brother Ryou's wife, since they met. After things fall apart between Kaori and Ryou, Sumi admits her feelings to Kaori and they get together. Sumi is afraid that Kaori isn't as serious about their relationship as she is, but Kaori tells Sumi she's in love with her and accepts Sumi's marriage proposal in a public park. They tell Kaori's son Takkun that they're getting cake on the way home to celebrate the birth of their new family. ^_^ Squee! I wish Konno Kita would draw more stories for Yuri Hime.

Takeuchi Sachiko's Honey & Honey and Chi-Ran's "Her Temptation" one-shot in Shoujo Bigaku technically don't count because their protagonists do not come out to family, but I still highly recommend them for their explorations of what it means to think about coming out to family.

Know any examples that I've missed? Let me know!

Monday, June 4, 2012

This week's Fate/Zero

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So, how about that episode?

Very Urobuchi Gen. And Kirei needs to die. Too bad he won't in this series. Here is the latest recap!

And fan art, because I can.
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Wednesday, May 30, 2012

Manga Review: Poor Poor Lips volume 3


This volume of Poor Poor Lips is easily the most satisfying so far.

Yes, Ren's mother Nei erases Nako's debt at the price of Ren returning home and agreeing to marry someone of Nei's choosing. Yes, it is painful to watch Ren resign herself to her homophobic mother's terms for helping Nako.

But the thing is, Ren won't actually have to go through with the marriage. This isn't that type of series. Nako returns Ren's feelings throughout this volume and is willing to undergo as much for Ren as Ren is for her. The "Gift of the Magi" reference early in this volume isn't for nothing.

The rollercoaster ride of highs and lows in this volume are stepping stones to Nako and Ren reaching the end of this series as not only a happy couple, but as stronger people who know their love can survive being put through the wringer.

While the previous volume featured more growth on Ren's part than Nako's, Nako's growth takes the spotlight in this volume as she finally becomes aware of her own feelings (quite happily, refreshingly) and pursues Ren. Nako has always been a warm, likeable character, but a more assertive, self-aware Nako is welcome. :-) Now if only she and Ren were aware of one another's feelings.

As mentioned above, after finding out that Nako's perpetual debt stems from the scam Nako's uncle coerced her into after her parents died, Ren convinces Nei to give Nako the help she needs to end the debt. Nako, who couldn't bring herself to take her uncle- her only remaining family- to court even though he is the reason she has spent years in crushing poverty, is more than willing to swing a frying pan at him after he punches Ren for interfering between him and Nako. (Ren stops Nako from actually hitting him.) Nako, who smiled through years of poverty, breaks down crying over Ren leaving.

After Nako wakes up and finds the farewell note left by Ren, she auditions to be the new maid at Ren's family's home so she can see Ren everyday- with a little help from Watase and Ren's father Akio. In my previous review, I mentioned that Ren's father completely supports Ren. Going beyond that, he becomes a regular Mrs. Bennet when he notices that there's something between Ren and Nako. (Would that make Nei Lady Catherine?)

Ren is thrilled and pained at seeing Nako again everyday- since they can still live together, in a way, but Ren has to force herself to keep a distance. When they lived in Nako's apartment, Ren and Nako slept in the same bed every night. Now, when Nako climbs into bed with Ren when Ren drunkenly hugs her after coming home from a party where her mom tried to set her up with bachelors, Ren panics the next morning and apologizes for "harassing" Nako as her employer. (Nako makes it clear that she doesn't mind.)

It's obvious to everyone in the house that they're in love with each other except them, damn it. Going by this series' pacing so far, I'm sure their realization of each other's feelings will come in the next volume.

What will Nei do when that point comes? For the most part, the antagonistic characters in this series (Nei, Ren's ex- I forget her name- and Furui) have proven themselves to be better- or at least more nuanced- than they first seemed. See: the series showing that Ren's ex wasn't completely at fault in her and Ren's break-up and her giving Ren back the expensive things Ren bought her even though she prized them- even if she gave them back in the jerkiest way possible; and Furui coming to respect Ren for how well she adapted to being poor and getting that her not being interested in men means he shouldn't push his new interest in her. (Sadly, that alone makes him smarter than a lot of guys. It irritates me to note that as exceptional, when it really shouldn't be.) The only antagonist in this series who started as a complete caricature and remained one is Nako's uncle. Antagonistic as she is, Nei isn't a caricature. I'll be shocked if she doesn't evolve.

As DRAMATIC as I've made this volume sound, Goto Hayako's penchant for humor has not dulled in the least. An emotional roller-coaster ride needs its highs as well as its lows, after all.

Story: A
Art: C+
Overall: A

This review covers ALC and JManga's release of this series. The translation of this volume is as good as the previous ones', so no complaints there.

Tuesday, May 29, 2012

Thank you, Type-Moon and Urobuchi Gen, for the wonderful that was this week's Fate/Zero episode

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If you have watched F/Z's most recent episode and you know why I'm obsessing over this show, you'll know why this episode was like Christmas. (Bless Type-Moon's penchant for creating cool, kick ass women.) Here's this week's recap!

And more fan art:

And a comic from pixiv, translated.
Saber: "I will fully protect you, princess." ("Kimi no subete watashi ga mamoru, koushu" <- This is one of those sentences that sounds awkward if you translate it too literally. "I will protect everything about you"...? "I will protect every part of you"...? "I will protect all of you"...? >_>;)

Irisviel: "Goodness, Saber..." ("Mou Saber tara")

Irisviel: "Me, a princess..." ("Koushu nande...")
Saber: *staaaare* (*jiー*)

Saber: *smirk* (*niya*)

And a gif, for anyone else who finds amusement in the crap drunk people do.

Saturday, May 26, 2012

Anime Review: Rinne no Lagrange season 1


While Prism is the recent dark horse hit of manga for me, Rinne no Lagrange is the recent dark horse hit of anime for me.

Lagrange's first episode didn't do anything for me when I first watched it. I thought, "Okay, so, this is another series about a teenager being recruited by a government agency to pilot a robot to save the world from aliens... Why should I care?" Lagrange's primary lead, Madoka, seemed generically plucky and do-goodery, Lagrange's co-lead, Lan, seemed like an Ayanami Rei clone and Lagrange's promo lead me to believe that the series's other co-lead, Muginami, would just be a busty ditz- Lagrange's Asahina Mikuru, if you will.

A friend who tried it was more charmed than I, so I gave the second episode a shot. And I kind of liked it. The series improved from there, and by the time it wrapped up, I really liked it overall. When I re-watched Lagrange, I liked the opening episodes more (even though they were still Lagrange's weakest) because I could better appreciate what they set up and I knew that the story would get better. But I'm getting ahead of myself.

Kyono Madoka is the sole member of her school's Jersey Club- a jack-of-all-trades who does whatever people need her to do, like save a kid from drowning, play a role in her school's Film Club's latest film, bat in a baseball game, and so on. As gimmicky as the Jersey Club seems, there's a really good reason for why Madoka is so dedicated to it.

An alien princess from the planet Le Garite, named Fin E Ld Si Laffinity (Lan for short), tells Madoka that she needs her to pilot a mech called Vox Aura for a government organization called Novumundus, to defend Madoka's hometown Kamogawa from a mech-piloting alien named Array. Array allies himself with Villagiulio, the deposed prince of De Metrio, a planet that Le Garite once allied with. Our third lead, Muginami, is also one of Villagiulio's followers.

Madoka has the expected "EHHHHH?" reaction when she finds out that Novumundus wants her to keep piloting Vox Aura, but embraces her role when she realizes that she can defend Earth rather than sit helplessly on the sidelines. Lan joins Madoka as the pilot of Vox Rympha, and Muginami switches sides and joins them as the pilot of Vox Ignis.

The aliens in this series are the descendants of Earth's original inhabitants, who fled Earth when civilization supposedly collapsed long ago because of a catastrophe caused by Vox Aura, Vox Rympha and Vox Ignis. Villagiulio's younger sister Yurikano was involved in the same kind of disaster that the Voxes would supposedly trigger. Hence (I assume), Villagiulio wanting to take the Voxes from the Le Garite-allied Earth. Because of what Le Garite told them (and the fact that Villagiulio's approach to trying to get the Voxes is less than diplomatic), Novumundus thinks Villagiulio wants the Voxes so that Earth can't defend itself against him. Lagrange paints Lan's older brother, the ruler of Le Garite, as someone who is used to conquering planets, unlike Villagiulio, so I assume that Le Garite is going to screw over Novumundus in season 2 and Villagiulio's group will be like, "We told you so!"

Btw, "Novumundus" is a corruption of "Novus mundus," which means "New world" in Latin. It's probably a nod to Evangelion- the series that has influenced Lagrange's director, Satou Tasuo, more than any other anime series by far- as well as foreshadowing part of the the plot in season 2. Maybe the Voxes, subverting the legend about them, will cause the world to be reborn or made new again in some way- not necessarily the depressingly literal "everyone dies and becomes primoridial soup" Evangelion way. (Lagrange has too much warmth and faith in humanity to pull something like that.) We'll just have to wait and see.

Despite my plot-heavy description of this series, this season of Lagrange is more character-centric than plot-centric in execution. And that works. It pleasantly reminds me of the first half of Mai Hime, in how it focuses on getting to know the characters and building their relationships while laying down the groundwork for what will probably be a darker, more plot-heavy second half of the story.

While the mech action scenes are well done and the plot is written competently (it all makes sense, and the writers manage to get in a lot of world-building without resorting to info-dumping), Lagrange's tendency to not take itself too seriously (e.g. how pro wrestling influences Madoka's fighting style) and its characters are what sold this season for me. Lan was more emotive and down-to-earth than she seemed to be at first, Muginami turned out to be a conniving jerk with a heart of gold who just uses her ditzy facade to fool people, and Madoka grew on me for her gung-ho impulsiveness and the "selfish" side of her desire to be friends with Lan and Muginami. In the shoujoai.com forum, Cryssoberyl observed that Langrange's opening theme song's title "Try Unite!" captures the heart of season one- Madoka, Lan, and Muginami coming together as friends despite their respective screw ups and opposing backgrounds.

The season ends with Madoka, Lan, and Muginami separated. Some fans found the final episode anticlimactic. It would be if this were Lagrange's only season. It did a good job setting the story up for season 2. It resolved one plot thread and dangled some new ones for the viewers, and it made me want to see what would happen next. As it should. If I hadn't known about the final episode's opening scene before watching it, I may have been annoyed by it. I thought it was a clever way for Lagrange's director to acknowledge that he knows what yuri fans are thinking when they watch this show. There is definitely intentional subtext in this show- mostly between Madoka and Lan. I especially doubt Lan would kick Madoka out of bed.

Lagrange takes place in the seaside city of Kamogawa because Kamogawa funded part of Lagrange's production. They got their money's worth, because everything about Lagrange looks good and its setting is appropriately atmospheric. Nissan designed the mechs, but you can't tell that from watching the show. The mechs look as good as everything else; they just don't betray their sponsorship origin, unlike, say, the flying staffs ridden by the characters in the Subaru-sponsored Houkago no Pleiades.

Anyway, Lagrange is chock full o' concepts that anime fans have already seen. But this series manages to toss a bunch of mech genre tropes that have been done to death into a blender and produce a tasty smoothie.

Story: B
Art: B+
Overall: B+

This series is streaming on VizAnime.

Monday, May 21, 2012

This week on Fate/Zero: Everybody's dying, but the suit is back

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Just so you know that I'm a person with her priorities in order. :-) Here's this week's recap! And a few more fan art pics.
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Thursday, May 17, 2012

Manga Review: Poor Poor Lips volume 2

Poor Poor Lips charmed me from its first volume (reviewed here), and its second is even better. In this volume, Poor Poor Lips' story evolves from a sitcom-esque concept, meandering through a series of character-driven slice-of-life situations, to a plot with a conflict that provides a great catalyst for the characters to grow. Such growth is welcome because it causes Ren and Nako to switch roles, forcing Ren to realize how much class privilege she's had and learn more about the real world. I've always loved Ren, but I couldn't see her and Nako realistically working as a couple- as equals- without this development on Ren's part.

Ren invites Nako on an overnight trip to a gemstone expo. Ren (as expected) splurges on their hotel and meals, causing Nako to worry that she won't be able to enjoy her regular life anymore. Nako asks Ren not to spoil her...and it snowballs into a big misunderstanding but they make up, of course.

When Ren's mom Nei asks Ren to visit home so she can set Ren up with a man, Ren asks Nako to pretend to be her girlfriend. Nei is more likely to leave Ren alone for a while if she's seeing someone than if she's single.

Nako successfully convinces Nei that she is Ren's girlfriend- and learns first-hand how homophobic she is. We also learn how Ren first came out. In one priceless moment, Nei mentions that Ren was a player at the all-girls' high school she attended. (Ren's like, "Urk!" while Nako gives her an "Oh, really?" look.) Like Sasameki Koto's Ikeda Takashi, Poor Poor Lips' Goto Hayako has a great knack for using humor to keep really uncomfortable issues (like homophobia) from being too painful, without making light of how much they suck. Lesbian characters who are out to their parents are REALLY rare in manga. I'm glad that type of coming out plays a major role in this series, and that it's handled really well. Thankfully, Ren's dad, who appears in volume 3, doesn't care that Ren is gay, so we get more than one type of "being out to one's parents" narrative in this series.

After Ren and Nako visit Nei, Nei finds out about Nako's debt. Nei tells Nako that even though she doesn't accept Ren's sexual orientation, she cares about Ren and won't let anyone leech off her. She tries to bribe Nako to stay away from Ren, and when Ren confronts her about it, she cuts Ren off. Nako lets Ren stay with her, and they get jobs at Furui's bakery since he's the only person who will hire them both.

As I mentioned above, Ren goes through some needed growth in this volume. Even Furui (who, although slappable when he says anything about Ren's sexual orientation, has a point about her being sheltered) comes to respect her for her new work ethic. By the end of this volume it's clear that Nako returns Ren's feelings, so, all things considered, this volume ends on a pretty upbeat note.

This review covers JManga and ALC Publishing's release of Poor Poor Lips volume 2. The translation is still excellent (even the puns are handled well), so no complaints there.

Story: A-
Art: C+
Overall: A-

As great as this volume is, volume 3 is better still.

Annnnd, unrelated, but I'm graduating this Sunday!! ^__^